Screening Program:
Between Waters, Winds, and Fields

Salt Beyoğlu

May 8 – August 18, 2024

In Ones Breath Nothing Stands Still Tuan Mami 1 <i>In One’s Breath—Nothing Stands Still</i> [Kişinin Nefesinde—Hiçbir Şey Sabit Kalmaz] (2018) filminden bir kare
Tuấn Mami’nin izniyle
Still from In One’s Breath—Nothing Stands Still (2018)
Courtesy Tuấn Mami
Floor 2

Between Waters, Winds, and Fields is a screening program accompanying the exhibition Notes on Air at Salt Beyoğlu. The selection features artist films that explore how the interconnectedness of air, water, and landscape forms the very fabric of human existence and engage with pressing environmental issues.

The program takes inspiration from Hippocrates’s De aere, aquis et locis [On Airs, Waters, and Places], a treatise that delves into the complex interrelations between climate, ecological resources, the built environment, and daily practices. Focusing on the social, political, and ecological facets behind air toxicity, the selection weaves together a larger narrative that captures the entanglement of human and non-human beings.

The films will be shown in three slots during the exhibition and will be on a loop on the second floor of Salt Beyoğlu. All films will be screened in their original language with Turkish subtitles.

Program #1
May 8–June 7

Ice Cores
Susan Schuppli, 2019, 66’

water sleep II Akaike river under Xizang Road
Su Yu Hsin, 2019, 10’

In One’s Breath—Nothing Stands Still
Tuấn Mami, 2018, 30’

Los órganos internos de la Madre Tierra
[Mother Earth’s Inner Organs]
Ana Bravo Pérez, 2022, 22’

Program #2
June 8–July 8

Metal Bread
Chingiz Narynov, 2014, 45’

Asbestos
Sasha Litvintseva, Graeme Arnfield, 2016, 20’

Kaltes Tal [Cold Valley]
Johannes Krell, Florian Fischer, 2016, 12’

Oro Blanco [White Gold]
Gisela Carbajal Rodríguez, 2018, 23’

Program #3
July 9–August 18

Plateau
Karimah Ashadu, 2021, 27’

Petropolis: Aerial Perspectives on the Alberta Tar Sands
Peter Mettler, 2009, 43’

Maria Elena
Melanie Smith, 2018, 24’

Il Capo [The Chief]
Yuri Ancarani, 2010, 15’
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